It’s not what you play, it’s how you play it.
There are lots of ways to make guitar solos. Most guitarists focus on ‘what to play’ versus ‘how to play things’. Fact is, the nuances of phrasing (‘how’ the notes are played) often matter MORE than the notes we actually play. How many times have you heard someone play a solo ‘without’ much emotion? Often there was nothing wrong with their choice of notes. The solo lacked emotion and interest because the ‘phrasing’ was weak.
Guitar Phrasing is the most important aspect to creating great guitar solos, yet very few guitar players learn to develop this key element of their guitar playing.
One of the best things you can do to make better guitar solos is to carefully study your favorite singers. In the late 1990s, I began to study the vocal styles of my favorite singers. I learned to play on guitar every little nuance of their vocal phrasing and vibrato… and most importantly, the ‘musical contexts’ in which they made various phrasing and vibrato choices when singing. Singers cannot do many of things that we can do on the guitar, but they can naturally and effortlessly do things that are not common (but are still possible) to do on the guitar.
Listen to your favorite singers and notice the difference between their vocal phrasing (‘how’ they sing notes and phrases) and your guitar phrasing (‘how’ you play your notes and phrases). Then listen carefully to how these singers construct their phrases and compare that to how you create your guitar solos. When you really pay attention to this, you will probably make some very cool and powerful observations. This can be one of the best guitar solo lessons you can ever have. It can be a real eye (and ear) opening experience that can lead you to discover MANY new ideas that you can use to make you’re your own great guitar solos.
Here are three things you can learn and implement into your playing immediately so that you can consistently make better guitar solos.
Delayed Vibrato: Listen to how many singers sing a note (without vibrato at first) and then begin to apply vibrato to it a few moments later. The vast majority of guitar players don’t do this when soloing; instead they apply the vibrato immediately to the note. Although this can also sound good, it gets old to always immediately apply vibrato when you use it. So play a note on your guitar, let it ring out naturally (without vibrato) for a moment, then apply vibrato to it. In addition to creating a more ‘vocal style of guitar playing’ you may also notice that the note you just played sustains longer. (more on this in the video below).
Movement between notes: As you know, when playing notes on a piano there is no ability to ‘bend’ notes. Singers frequently ‘bend’ notes in both directions (up or down in pitch), although downward ‘bent’ notes are more common in most vocal styles. Guitar players frequently bend notes, but 99% of the time they only bend notes ‘up’ (in pitch).
Intuitive Emotional Expression: Singers often manipulate tension and dissonance intuitively. They might sing the 9th of a chord because it makes a very specific emotional feeling. Most (non jazz) guitar players would naturally play the root while making a guitar solo (especially at the end of a phrase). This happens because guitar players typically are thinking about patterns and scale positions. And thus the ear is conditioned to ‘find the consonant notes’ when beginning and ending phrases while creating (or improvising) guitar solos. Singers don’t have ‘patterns’ and ‘positions’ to think about. They are only focused on their intuition – the emotion of each note they sing. This results in more natural options for the singer (compared to many ‘inexperienced’ guitar players) particularly at the beginnings and endings of phrases.
Watch this guitar solo lessons video to see exactly what I’m talking about and hear a live demonstration of each.
To get more help with your guitar playing check out my 10 Free Guitar Solo Tips.
Tom Hess is a professional touring guitarist and recording artist. He teaches guitar players around the world via electric guitar lessons online. Visit http://www.tomhess.net to get free guitar tips, assessments, surveys, mini courses and more.
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6 responses so far ↓
1 Prakash // Nov 3, 2009 at 10:09 pm
Thumbs up for mentioning about Delayed Vibrato! I am happy to tell you that I employ that technique many times (based on the tempo of the song).
You could refer to any of Joe Satriani’s live videos for excellent demos of these techniques. Especially his G3 videos, where he plays with other acclaimed guitarists, showcase how a solo could turn out to be so great (emotion-wise) in spite of not being blazingly fast.
Good article!
2 Cheap Guitars // Nov 6, 2009 at 5:55 am
Sweet article.
I have never thought to study my favorite singers and the way they manipulate their singing with the way they sing notes and phrases to get ideas for doing solos.
Thanks for the eye opener,
Kirk
3 Rob // Nov 11, 2009 at 3:53 pm
I totally agree with you in this article.
Actually I would say that phrasing was THE most important aspect of any inprovisation and soloing!
Singers can have it naturally because it’s similar to speach- i.e. the phrasing that sounds good in speach normally translates directly to phrasing in a melody (due to the way our brains are set-up).
I recommend (on my website and youtube videos, but also to my own students) that one of the best ways to learn how to phrase things is to actually sing what you want to play first. This method is also great for ear training and listening.
4 Mr. Fastfinger // Nov 16, 2009 at 3:39 am
Very good stuff. Was talking about similar ideas on my last guitar workshop. How you play is equally as important as what you play! Did a demonstration with Mr. Fastfinger’s Exploding Solo. http://www.youtube.com/watch?v=0olGACUGDkI&feature=related
After playing it my usual way first, I then tried playing the notes with out any emotion, expression (which is kind of difficult to do actually). Mastering different techniques give you the tools of giving the notes more meaning.
Notes are not automatially music. Notes become music when YOU give them life through your instrument.
5 Rorry // Dec 29, 2009 at 10:09 am
Hey, I just watched this YouTube video by Daniel Minteer called “Cheap Guitar Tricks”. I’d like to learn to play like this. What you do think?
6 Annika Ikemire // Dec 24, 2010 at 7:46 am
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